Showing posts with label The New Deal. Show all posts
Showing posts with label The New Deal. Show all posts

Monday, May 16, 2022

Yippie Girl by Judy Gumbo

 Rolling in late, comes this 1960s movement memoir.


Late because we are deep into the 21st Century now and embedded into someone's World Order in a way that can feel not much more than. . .hopeless.

This memoir could be a joyous read had the movement it is about not been a total failure.
The 1960’s Anti-war and black liberation movements could not build the class solidarity of the temporarily successful labor movement of the early 20th century. That type of massive solidarity was what was necessary to bring change when the power system was vulnerable after the 1929 economic collapse. The 60s movement never had that solidarity or collapse. It was a time of general prosperity, and no matter how nostalgically some of us feel about the youthful exuberance of the “revolution is just around the corner” things are far far worse today than they were in 1970. The movement for economic justice is a failure.

The book is an example of this collapse of common cause solidarity since much of it is really an old comrade saying that she was there and part of it but being a woman was kept on the margins. I have no doubt that this was true and Judy Gumbo has every right to toot her horn and ask for acknowledgement. OK, but now what? And what happened after? She mentions being a very good fundraiser in later life but we hear no more about that. The story kind of ends with the 60s events and the VietNam war. Being a successful fundraiser for Planned Parenthood might be a more heroic story to leave behind than memories of a flashy youthful failure of a movement. 
But then I probably wouldn’t have read Fundraiser Woman so the circle is complete I guess and sensation sells.

She comes into the yippie movement directly out of the old movement. She is a Canadian Red Diaper Baby, her father a lifelong career Communiest Party type who built a successful livelihood out of it as a promoter of Soviet Union concert performers in Canada.
This transition from Red Diaper Baby to yippsterville is not really explained. She wasn’t particularly a hippy or acid head, she was a divorcee who dumped her hubby really quickly when she discovered him in bed with another woman. (No hippie Free Love for Gumbo. Later in the story, polyamory was considered and rejected for monogamy.) It seems that she became a Yippee because she became the girlfriend of one of the three main OG yippies, Stew Albert.
From this origin information one could conclude that she went from old school commie daddy to cutting edge for-the-hell-of-it Yippie daddy. But telling it that way kind of derails the neo-feminist train and so it’’s best to not look at it that way. We all have to do what we have to do and times are different than walking a mile in anyone else's one toe loop authentic Indian sandals.
Why does she repeatedly mention the infidelity of her first husband? It seems a sore point even now 60 years, or whatever, later.

I don’t know, for decades it all seemed so recent and immediate, but now just very remote, far away. That movement now seems like an echo of an after shock, of the big somewhat successful movement before it. But we all will remember the hit, rather than the spin off with the kids in charge every week jumping the shark to get attention while sinking to the bottom of the what matters chain in the neo-liberal world that dominates and gained power in the last 60 or so years. The hit movement being the early 20th century movement that brought us SS, The kids movement, the Yippies 30 years later making a splash then passing on while I still have the benefit from the earlier movement. Monthly Social Security.

The movement that pushed the government into Social Security was a great movement.
Its gains have been attacked by those always opposed and now they are winning. Finally destroying what was left in the New Deal era, the legitimately helpful Big Government. Meanwhile the corporate welfare and military goverment is growing and giving out even more power to those already in control.

So yeah, we boomers can look back at the glory days of the Chicago 8 show or whatever but we failed to even protect The New Deal.
Most of us have been well placed enough to ride out whatever insanity the USA comes up with. We survived Reagan, the Bushes.
No problem, we are still here if we can set our tolerance for the unacceptable ever higher. We have to tolerate the USA for 20 years tearing apart Afghanistan for really no good reason at all and now leaving them starving. We have to tolerate that voting rights are being taken away in favor of Republicanism. We have to tolerate the loss of abortion rights.
We have to tolerate the trickle down of death from the military-industral-news/entertainment complex that is in control of most of the national money, power, and consciousness.

We have to tolerate this or else die in our isolated social distant despair.
So we tolerate it. We are physically comfortable enough to not let it all get to us too much, plus that is that interesting new cutting edge series we are all streaming.  And weed is sort of legal here and there. All is more or less well for the aging white baby-boomers.
Maybe there were a million deaths in our name in the past 20 years but it doesn’t affect us enough to really do something about it.

I’m really complaining about our time through looking back at what we may have wanted it to be. There is nothing wrong with the book. It just hits me at a particular moment of hopelessness about The Revolution.

Stew Albert, the eventual spouse and babydaddy, was close to Jerry Rubin so there is more of the Jerry angle of things than the Abbie Hoffman side. They were often at odds and took their personal followers with them. Albert was also friends with Elldridge Cleaver, Black Panther leader. The stories about him are perhaps the most interesting in the book. 

Back then I was a Abbie Hoffman Yippie, or identified as such. I even met him for a moment at a big MayDay rally on New Haven Green 1970.
I was brought into the movement, as much as I ended up participating, which wasn’t a lot, by seeing Abbie Hoffman in the mass media when I was still in high school (Merv!) and wanted to be a hippy, now Yippee! But we still had hair length rules in high school, Bummer. Abbie was always very funny. He organized me. Brought me into the movement still as a kind in Ohio.
Later, after high school, I took LSD as soon as I was offered and loved it. I still love it and use it occasionally. In the book Judy Gumbo says she tripped only three times and the last years ago. Time for a booster granny! 

The book has one very sad story about insane Phil Ochs who at the end of his life visited them for a day, part of the time as his evil alter ego John Train. But nothing about Phil in his prime of any of the other movement performance people reviewed. Phil Ochs was particularly dear to me in my youth, he was a suicide at 35 and I kept on singing his songs for years. So, yes, a sad story in the book.
Phil and Abbie much later, both suicides.

Fine addition to some ancient history herein, although not really searching or personally deep and revealing.  



Friday, January 15, 2021

Small Axe (2020)

Small Axe (2020)
Directed by Steve McQueen

This is a series of five films set within London’s West Indian community from the late 1960s to the early 1980s.
It is a wholesome series that trough true stories demonstrates how progressive change is really achieved.
“Freedom is a Constant Struggle” was a slogan on a political button from the 1960s.
This is the truth. Real change is not going to come from electing a new president, that might help, but it is not the revolution, not the force behind real change.

Change comes from people banding together, organizing, and finding a way through for themselves while at the same time putting pressure on the local and national power structures.
The New Deal didn’t come out of FDR and thin air. It was the manifestation of decades of struggle of union organizers and socialist activists. This is how change is made.

This very fine cycle of films shows how people struggle and make change, one story at a time.
(And we get to go to a really cool party too!)

================


Mangrove 

Directed by Steve McQueen

Written by Alastair Siddons & Steve McQueen


In 1970, in the Notting Hill section of London, Frank(Shaun Parke) opened a restaurant called Mangrove. He only wants to have a nice restaurant but from the start he is faced with
harassment, raids by racist cops.
The community rallies and holds a demonstration that is attacked by a police riot.
There is a trial and the people learn how to defend themselves.
Powerful courtroom drama at the end.

Lovers Rock
Directed by Steve McQueen
Written by Steve MCQueen and Courttia Newland

This is an 1980s house party. We see the audio-DJ equipment being moved into the house. The women cook. The rug is rolled up, all the preparations for a house party.
The movie is like being in a party in the past that you were not really invited to but can attend invisibly, a fly on the wall and flying through the party room. People hook up some successfully, some not, just like real life.
Groovy 80s reggae/dub music soundtrack.

++++++++++++



Red, White, and Blue
Directed by Steve McQueen
Written by Steve MCQueen and Courttia Newland

This one brings up a lot of questions. It is based on a true story of Leroy Logan (played by John Boyega) . A young black man with another career who becomes a policeman. He has seen his father abused by cops when he was younger. He intends to change the institution of the police force from within. His father doesn’t want him to become a cop. He hates them for a good reason. The son, Leroy Logan, excels during training.
But he is the object of racism within the force. Can a black man change this institutional racism from within?
The story ends before the question is answered.

(This is being written a week for the Righwing, racist, Pro-Trump assult of the Capatol building. It is coming out that many of those participating are involved with law enforcement, cops from out of town who traveled to DC for this event. Fascist elements are embedded into the police and the military. This is a serious problem.)

+++++++++++++++

Alex Wheatle
Directed by Steve McQueen

Written by Alastair Siddons & Steve McQueen


Sheyi Cole plays Alex Wheatle. Alex is an orphan or abandoned child who is abused, hit, misunderstood,  by the big white orphan home momma. He keeps running into trouble. Looking for something, a parent, a leader, he drifts into a bad crowd.
He discovers music, black struggle and poetic expression. But he’s lucky because trouble leads him to a wise mentor that shows him just what he needs.  

+++++++++++++++

Education

Directed by Steve McQueen

Written by Alastair Siddons & Steve McQueen

Kingsley (played by Kenyah Sandy) is a 12 year old school boy who is having trouble in school. There is a scene early on of the children taking turns reading aloud in class and Kingsley not being able to do so. (This writer knows personally how horrible an experience like that is in a grade school classroom.)
Kingsley is given standardized intelligence tests by the school system and it is determined that he is to be transferred to a “special needs school” which is really a school where they warehouse children unwanted by the system.

But these are movies of struggle that lead to solutions, at least for the particular problem if not to a grand ultimate revolution to make everything magically better. There are community groups of West Indian organizers who want to do something about the racist seperation, the giving up on finding a way to educate, that is only the path to a low wage menial labor, and dead end life.

=============

These films are partly financed and presented in the USA on Amazon Prime. There is a sort of irony in this ruthless, powerful, and exploitative corporation bringing us this type of motion picture material that we need, if we need any at all.
This is another institution that will have to be forced to change from the bottom, the warehouse workers, up.
Moving picture production is a very expensive art form and the money comes from money which is very often saturated with the blood and sweat of those who brought it to the investors.
Freedom IS a Constant Struggle.




MOM

How to destroy a young woman's life? It's really not so hard. Be born to her She was only 19. I understand that she was good in scho...